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Between the Worlds by Chedid, Andree


Availability: Available for immediate despatch
Title: Between the Worlds
Author: Chedid, Andree
Publisher: Flambard Press
Format: Hardback
ISBN: 1-873226-88-8 Pages: 224
Price: £9.99 Order:   
 
Between the Worlds by Chedid, Andree by Chedid, Andree

Between the Worlds by Chedid, Andree

From the secrets of childhood to the horrors of the Lebanese Civil War, Andrée Chedid draws us into worlds that we have forgotten or never known.

In Between the Worlds Chedid vividly evokes a host of characters living very different lives in Europe and the Middle-East, all the time teasing out insights into the nature of friendship, family and conflict.

Born in Egypt of Lebanese parents in 1920, Andrée Chedid is today one of the most renowned contemporary French writers. She spent the final years of her formal education in the American University of Cairo before settling in Paris in 1946 with her doctor husband.

“As a poet, [Chedid] has a feel for words, for combining them in the most concise and efficient way. She believes in tenderness, in honesty, and reading her, one is convinced that one must believe in them too.” — Le Monde
 
Reviews of Between the Worlds
19 March 2007
Brief Encounters
 
Reviewer:Mary Fitzgerald
Publication:New Statesman
 

Cairo-born Andrée Chedid has been a prolific, critically acclaimed writer in France for decades, but this is the first time a collection of her short stories has been published in Britain. The 25 pieces here are styled as brief, poetic snapshots, designed to encompass the "full range of human emotion".

Chedid is keen to open our eyes to the "suffering, the misery and the cruelty of the world": in stories such as "One Day . . . The Enemy" and "Death in Slow Motion", she paints graphic scenes from the Lebanese civil war. But in the same breath she carries a message of hope, even where, as in the case of "My Sudanese Lady", the tale ends in tragedy and loss. Chedid draws on a wealth of personal and collective experiences, from the horrors of war and its lasting traumatic impact to the subtle intimacies of human relationships experienced in sedentary everyday lives. Her characters are a healthy mix of refugees, economic migrants and "ordinary" people who have always belonged exactly where they are.

Although Chedid conjures up some striking images, her stories suffer from their brevity – a very rare thing. Many have a self-contained beauty and resonance, but overall it feels as if she is trying too hard to make a series of points, without allowing any of them proper development.

Mary Fitzgerald

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