Mid Lands by Jacqueline Gabbitas

Mid Lands by Jacqueline Gabbitas by Jacqueline Gabbitas

Availability: Available for immediate despatch
Title: Mid Lands
Author:Jacqueline Gabbitas
Publisher: Hearing Eye
Format: Paperback
Pages: 32
Price: £3.00
ISBN: 978-1-905082-27-8
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Synopsis

Mid Lands by Jacqueline Gabbitas

It would act something like a headstone then.
No need for an inscription when each year
fat buds would break into leaves

shining like your eyes did or like the light
on Whitby Harbour when your ashes
caught the sea, the day’s end in their arc.


from The Pomegranate Tree


Jacqueline Gabbitas’ short poetry collection, Mid Lands, is grounded in both the real, physical landscape of the North Nottinghamshire of her early life and the metaphorical mid lands of language. In her use of dialect and accent she mbraces a richness often overlooked in English poetry. Her poems are sometimes dark in their content, sometimes lighter, but the lyrical voice is always simultaneously elegant and tough. She brings to life murderous cheese mongers, cave dwelling spiders and Chinese goddesses and gives voices to fields and disenfranchised coal miners. Framing these fantastical stories are the tender and honest poems to and about her family and late sister.

In 'Mid Lands', Jacqueline Gabbitas reveals an acute ear for the warmth of homeland dialect and an astute and telling eye for startling detail. I thoroughly recommend this impressive debut.
– Sarah Wardle

Jacqueline Gabbitas’ poetry has been published in magazines and anthologies and has won prizes in various competitions. In 2006 she was commended in the New Writing Ventures Awards. She is an editor for Brittle Star magazine and works for The Literary Consultancy, UEL and The Poetry School. She has an MA in Writing from Sheffield Hallam University.

Reviews of Mid Lands


*****26 November 2007
Reviewed by customer: Paul Lee

Sphinks Chapbook Reviews
HappenStance
September 2007

This is an assured and well-crafted collection from a poet who relies on structure, tone and slant to make her impact, rather than wordplay or imagery, which makes quotation a little difficult, unless it’s the whole poem. Her poems are never less than solidly competent, and a substantial number are excellent. And just when she’s getting bland, and you think she’s sticking in the relationships/domesticity comfort zone, she veers off into delicious weirdness, writing at a tangent that is eminently quotable, as in this from ‘Lettuce’:

You should never go to bed on cheese,
it’ll make you dream, give you nightmares.
And this is Stilton too: At the Goose Fair
the mayor is killed by a hundred pound wheel of Stilton.
Call it the Cheese Riots. And it ends in hemp.
The cheesemonger, who marked his tariff
on a blackboard and afterwards wiped his hands
down his white apron, isn’t laughing. He knows
his own weight: the rope will hold.

She also writes some of the best dialect poetry I’ve ever seen, and when she combines it with that sideways slant of hers, the result can be sublime, as in this, from ‘Shitspiders’:

An’ I’ll tell thee this for neowt – thi wa gold! Thi were like a seam
we could chip bits offa—for a wedding ring or a tooth.
But thi wa’ movin! In an’ out of t’shite we’d left months ago.

Thi wa towns down ’ere med arrta shit—streets and all sorts
that thi med thisens to live in. I thought thi’ et it, but thi din’t,
it wa’t’ eggs thi’ et. An’t flies…

Here is a poet who has found a distinctive voice, pleasingly warm, human and witty, and un-blighted by irony. I’ll be delighted when I can read a full length collection.

Paul Lee

Paul Lee

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